Bread Boss depicts the humour of a cat who kneads like a seasoned baker, settling on the windowsill of the family bakery as if it belongs to the morning routine. Navigating the glass reflections while still keeping the cat grounded in realism was a tricky dance; Balancing the light, lines, and subtle distortions became part of the creative problem‑solving. The piece draws on the warmth of small family businesses, early mornings, familiar smells, and creatures who make themselves part of the routine.

Acrylic Paint

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Chasing Chickens was painted in honour of the holidays I spent at my Nan’s; where we fed chickens, played in the yard, and laughed at her silly costumes and burnt dinners. Chicken chasing time would be announced by my Nan, who would yell, half jokingly, at her two beautiful, yet very docile and very well fed (probably athritic dogs), Sooty and Bubba, “Round ‘em up!” Knowing full well they were too sweet and rotund to round up anything. She and Grandad shaped so much of my childhood, and this little moment with a chick feels like the heart of those memories.

Acrylic on canvas

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This piece is shaped by an affection for the way nature can soften and almost shelter a figure. The overlapping leaves create a sense of being held, half‑hidden, half‑revealed; a quiet moment where the natural world becomes part of the person rather than a backdrop. The expressive eyes and gentle palette lean into calm introspection, while the loose, fluid brushwork keeps everything feeling organic and alive. The inspiration sits in that blend of human emotion and natural form, where stillness, softness, and a touch of mystery meet.

Mixed media

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This piece folds domestic memory into something tender and almost ceremonial. A simple tin of sewing threads; bright, jumbled, and familiar becomes a portal to childhood holidays in Toogoom, where time moved slowly and the smallest objects carried whole worlds. The patterned tiles, the painted windmill on the lid, and the lone red spool resting outside the tin evoke the gentle order and quiet industry of a grandmother’s home. By elevating these everyday materials, the work honours the intimacy of making, mending, and being cared for, turning a humble sewing tin into a vessel of place, lineage, and love.

Acrylic

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This piece draws on a love for the quirky, inquisitive nature of cats; the way they turn a simple window into a stage for observation, judgement, and quiet comedy. Their curiosity is never passive; it’s full of personality, intention, and that unmistakable feline flair. The warm interior and soft colour palette frame the cat’s expression as the focal point, celebrating those small, everyday moments where their odd little habits become unexpectedly endearing. The painting reflects an appreciation for the humour and character found in these brief, familiar pauses.

Acrylic

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This piece began as a simple experiment: just a blue biro and a moment of curiosity. There’s something honest about ballpoint pen; no erasing, or layering, just commitment. The drawing captures a quiet scene, but the medium itself carries its own energy: everyday, humble, and unexpectedly expressive. A blue biro has a way of turning the ordinary into something tender and detailed, like catching emotion in a single line. It’s a reminder that art doesn’t need fancy tools, just intention, and the courage to see what happens when you lean in and trust.

Blue biro

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This painting reimagines an iconic ice cream, a nostalgic flashback to a childhood treat that shaped Australian 90’s summers. It leans into bold colour, simple forms, and that unmistakable bubble‑gum nose to capture the joy of something delightfully unserious. It’s inspired by memories of sticky fingers, the sun‑bleached afternoons, and the way certain objects become tiny anchors to Summers past. The piece celebrates play, humour, and the sweetness of things that stay with us long after they melt.

This painting lingers in that sweet space between solitude and pleasure, offering a modern meditation on rest as a form of quiet rebellion. The figure, turned away and unhurried, becomes less a person and more a symbol of choosing softness in a world that demands speed. Sun‑washed stripes, playful heart motifs, and the cool, dreamlike backdrop evoke a summer that feels both nostalgic and slightly surreal. By withholding narrative detail, the work invites viewers to step into their own version of escape; a reminder that stillness, too, can be an act of intention.

Acrylic

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The bikini hangs the way they always did after a long Toogoom afternoon; dripping quietly onto cool tiles while the house settled into its evening rhythm. A quiet echo of days spent swimming, fishing, exploring, and returning to a bathroom that always smelled faintly of salt and sunscreen. You can almost hear your nan in the next room, humming, moving slowly, stitching the holiday world together with her laughter, her dancing feet, and that effortless, playful joy she carried through every room.

Acrylic

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This piece is inspired by a love of quiet elegance and the softness found in simple, feminine details. The roses echo a sense of calm beauty, while her closed eyes reflect a moment of inward peace. The oval frame adds a timeless touch, giving the portrait a gentle, classic presence. It’s guided by an appreciation for stillness, grace, and the kind of understated femininity that feels both nostalgic and steady.

Mixed media

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This landscape grew from the kind of New Zealand moment that settles into you quietly. Standing in front of hills that feel impossibly green, watching light move across water that shifts with every breath of wind. The wildflowers came from the memory of walking through places where colour seemed to appear without effort, as if the land was always in the middle of becoming something new. It’s a painting shaped by that feeling of being held by a place that’s both vast and gentle, a place that invites you to slow down and really look.

Acrylic

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This piece draws from the feeling of standing at the Highgate Hill lookout; that mix of height, heat, and the way Brisbane’s colours seem to glow at certain times of day. The reds and oranges echo the warmth that settles over the rooftops, while the loose, abstract shapes capture the way the city blurs into something almost dreamlike when you’re looking down from above. The trees, the tilt of the houses, the sweep of the hill; it all becomes a memory of place rather than a literal view. The work is guided by that sensation of pausing at the lookout and seeing the city as a wash of colour, movement, and light.

Mixed media

*Please note that all prints will be printed without watermarks

She arrived in a hush of colour, as if the morning itself had stepped forward to be seen. Flowers crowned her hair, each petal carrying a memory of places she’d wandered and people she’d loved. The air around her shimmered with soft blues and greens, a quiet pulse that felt almost like breath. She wasn’t a queen or a spirit or anything grand; just a girl who had learned to hold her gentleness without apology. When she looked up, the world seemed to slow, as though it recognised her softness as something rare, something worth protecting.

Mixed media

*Please note that all prints will be printed without watermarks